Monday, December 27, 2010

THE GOOD AND THE BAD OF 2010

My good friend, Linda Apple, got me to thinking a lot about what I've been up to this past year and what might be coming in the new year. And most especially what I might have had to do with the mistakes and successes. Linda's weekly Inspire always makes me think hard, and sometimes that's painful. Go to Lindacapple on Facebook to join her fan page and receive this weekly inspirational writing. It's uplifting and gives something to think about.

In good writing, we know that for every action there's a reaction. That holds true where our process of writing is concerned too. Every action can have a good or bad reaction. Acceptance by publishers is of course the very best, but sometimes no matter the effort, rejections come. That should not lessen our joy in the process of writing.

Besides acceptances, I've had my share of rejections over the years and particularly some heartbreaking ones this year. I'm sure that's true for everyone actively writing. It's easy to give up, far too easy. Or to get so down we decide we're not good enough. But the reaction to that sort of thinking is we quit writing. We find it difficult sometimes to remember that only quitters fail.

So as this new year begins, let's put all that behind us. The rejections, the stories that didn't jell, the book that sort of drifted to a halt. Dig in and write something new and fresh. Or dig out old stories and fix them. But don't give up. Writers have to write. If you don't truly feel you have to write, that you can't live without it, perhaps you should consider doing something else, but if you can't go a day without voices in your head, if you daydream stories washing dishes and dusting, if you pull over and park to record new ideas while on your way to the grocery store, then you can't quit. You mustn't. No matter how tough last year may have been. Suck it up and hit the keyboard. On the other hand, there are things we try that simply aren't meant to succeed, and it's best to back off and try something new and different. When we do that, we aren't failing, we're just reconsidering what's best. It can be a painful process.

Back to Linda Apple. She suggested making a list this week. What we did that worked and what we did that didn't work in 2010. Then consider each list and decide what our priorities will be in the coming year. Thanks, Linda for that idea. I'm going to try it out.









Monday, December 20, 2010

IT'S OKAY TO TAKE TIME OFF

Writers, I'm giving you permission to take a few days off and concentrate on family and this wonderful season filled with hope, joy, love and generosity of spirit. Now that I've said that, I'll bet you're wondering just who I think I am. Well, if you read this blog every week, you know I give writing tips, so it's probably okay for me to let you off the hook for a few days. I'm always dictating what you as writers need to do.

Seriously, we sometimes get so wound up in our work that we forget to stop and share ourselves with family and friends. Writing can be a tough taskmaster. I should know, for 28 years I've spent four to five hours, six days a week at the task. Since it's difficult for me to let it go for a few days, it must be for others too. We get so involved with our characters and our stories that we're afraid to leave them. No telling what they'll be up to when we're not around to exert control.

Since publishers and agents take time off, we should too. There won't be much going on in the publishing world until mid-January, so don't submit anything now. Don't expect that agent you queried to get back to you this week or next. Don't even email her and ask what's up. Wait till everyone is back on the job and has cleared their desk. Then we can all start afresh in 2011.

Our critique group is taking time off. And yeah, some of them object to missing even one week. We had our Christmas party and when we told everyone there wouldn't be a meeting until Jan 6, the groans went round the room. Can't say as I blame them. Some of our members are hot on the publishing trail, others tracking agents. Two have recently signed contracts, one with an agent, the other with a publisher. A good critique group can bring about that kind of results.

But, let's everyone kick back, wrap those gifts, cook those goodies and have a great and Merry Christmas. For some good recipes for the holidays, see my blog

Monday, December 13, 2010

MINGLING WITH OTHER WRITERS

Saturday, most of the 42 members of our writer's critique group gathered for our annual Christmas party. At first glance it might seem we all took a day away from our writing to celebrate this important anniversary of Jesus' birth. However, on second look with the perspective a couple of days makes, I realize that we were all practicing our craft.

What did most of us talk about? Our writing, of course. And we had the opportunity to approach that discussion from a different point of view. We were no longer critiquing our work or having it critiqued, but we were talking about how we approach what we do. What motivates us. How we feel about writing itself. These were all topics of my discussions with different people. And as I listened to others, I found they too were talking about how they go about their writing.

It's not difficult to understand why. Just try talking about what you do with someone who doesn't write. After a while, their attention wanders, their gaze goes blank and the smile on their face begins to look pasted on. The same thing would occur should a Professor of Physics walk into the room and begin to talk to writers about what he does. We'd go blank, too. So, when we want sympathy or understanding, we talk to other writers.

That's why it's important that we network with others in our field of endeavor, no matter what that might be. I've been writing for close to 30 years now, and I finished my first novel when I was 50. It took several years to write that first one. I knew nothing, had not been schooled or studied the craft in any way. I was writing something I needed to say, and also something I wanted to know much more about. To write the book properly would call for a lot of research into the field of my interest. Probably six months or more were spent digging through books at the library. Hours and hours each day I pored over magazine and newspaper articles, books and yes, novels, about my subject. No Internet available to the common folk then, you know.

Even so, after years of working on the book, it still took networking with others who wrote before I could actually get that book whipped into the kind of shape it needed before I could approach an agent and publisher. So many people feel like they can write their book, find an agent and a publisher and hit the jackpot. That is, until they are educated by other writers who know better.

I received an email recently from a woman who has written a novel and wants me to tell her how to get it published. Actually, if I could tell her that all those books I've written that have never found a home would be out there for all to read. Of course, I've had some books published, 12, to be exact. Not terribly impressive for all the years I've written, but better than none.

I tried to help her, and my first suggestion was to get someone to read it; my next was to join a group of writers, preferably a critique group. Next, I told her to be prepared to rewrite that book several times, then we could get back to how to get her novel published. One thing I didn't mention was to get ready for rejections, lots of them. That can wait until she's developed a thicker skin from being critiqued.

These are all things we in the business finally learn, and it can sometimes take a while. That's why we continue to gather with other writers at places like Ozarks Writers League and conferences around the area. It's a part of our learning process, one we should never stop. The day we stop learning, we stop making progress in our career.

Monday, December 06, 2010

GETTING BACK TO WRITING

Oft times, we writers have to leave a book in progress and turn to promoting one that has recently been published. If we put a lot of time into that promotion, and we should, it means the work in progress sits on the shelf until we forget where we were and what we were doing.

This happened to me after a summer filled with traveling to promote and being on the Internet for the same purpose. I usually have at least two works in progress, one nonfiction and one fiction. I was able to do some work on the nonfiction one during the summer, as well as continue to submit a current novel and try to find an agent to represent my work. But my newest novel, about half finished in draft form, went ignored.

What is the best way to get back into a book like that? This isn't my first experience, and I find I have to begin at the beginning reading, and of course one can't help a bit of editing, to get back into the story. My normal advice to beginning writers is to write the entire book before beginning the editing process. Sometimes, though, in the situation I faced, this isn't possible. There was no way I could pick up where I left off, because I couldn't remember how I had handled some of the important scenes. There was nothing for it but to read from the beginning.

We all have our own ways of writing. I have plenty of notes, a list of characters, who they are and their importance to the plot, but no outline. I put down the ms at chapter 12, which is roughly halfway through the book. An important place that usually takes a lot of work to get through. It's necessary at this point to bring in a new twist, something that helps us get through "a sagging middle." My favorite instructor, Dwight Swain, calls it dropping a corpse through the roof. Not literally, in most cases, but we understand what he means. Stir things up, not only in the plot, but in the subplots as well. This is where things ought to take a turn, usually for the worse.

My normal schedule calls for writing on WIP from Wednesday through Saturday. I post to blogs on Monday, work on Facebook and anything else online to do with promotion. Tuesday is for short works, articles, short stories, anything I'm writing that isn't a book.

Now, I've finished my book tours until spring, where I've already begun to set up presentations and events. It's time to return to that weekly schedule. This week is as good a time as any, though I did work on the WIP last week as well. It'll be good to settle into a set writing framework. I hope the book takes shape quickly, and I also hope that the one at St. Martin's makes the grade and the agent who's reading it likes it as well.

And I hope for all of you, a good start or finish to something you're working on. Let the year end on an upbeat outlook.


Wednesday, December 01, 2010

VIVIAN ZABEL AUTHOR OF STOLEN





Burdens Shared are Burdens Halved

Oklahoma author Vivian Zabel brings the subjects of bigamy, abuse, death, and child abduction to the forefront in her latest release, Stolen. You know this is going to be a challenging drama-mystery when the lead character, Torri Adamson, describes her first husband Mike’s propensities for infidelity as “extra-curriculars”.

Stolen is a multi-generational story that keeps your mind busy contemplating all the connections, and realizing that close, supportive family relationships are a “good thing”. Torri has a strong bond with her young children, Leann and Lyle, and with her grandparents who own and operate the Light House Inn (a bed & breakfast in Edmond, Oklahoma). The thread of the extended family’s relationships runs throughout the story, mitigating horrific tragedies that beset them.

Written compassionately, Stolen dramatically observes life’s losses and gains, close familial and social ties, and the agonizing experiences of losing family members. A lesson is learned from Torri’s friend, Alice Thomas, as Alice faces death: ” … love doesn’t leave when a person does; love just continues, surrounding the person who is loved.”

The story emphasizes the exemplary relationship Torri pursues with her children, despite her marriage being torn apart by her first husband’s bigamy and abuse. Shortly afterwards, Torri is faced with helping her dear friends, Alice and husband Jason, go through the decline and death of Alice. Through all of that, Torri excels in motherhood and – for a time – covers all the bases of parenthood. She also excels in helping Jason overcome his own grief. They both learn to step back into life’s journey, their friendship growing: ” … from shared grief to finding shared interests.” Romance eventually blossoms as they observe each others’ extraordinary capacity for loving and helping others.

The text of Stolen is tender, respectful, bringing back memories of special times - as well as memories of your own personal struggles. But the manner in which Torri and her family manage to reestablish their lives following each tragedy, finding unexpected relief along the way, provokes a kind of peacefulness in your heart. As for Jason, who felt that his life with Alice had been “stolen”, he found his way back to happiness with encouragement from Torri’s family, including the children who adored him as a friend, a Deputy sheriff, and as their baseball coach.
Torri and Jason’s love leads to marriage, which quickly leads to Mike Adamson’s reappearance. Celebration of their second wedding anniversary is then interrupted with a heartbreak neither of them could have anticipated. They felt ” … trapped in a nightmare that robbed them of everything but pain.”

Sorrow from the tragedies eventually began to recede into the shadows. The family’s ultimate success in relationships and jobs was primarily the result of a rudimentary faith in God. That faith was buttressed by the motto: “burdens shared are burdens halved.”
Stolen is a sad, but inspiring, story that you will want to experience.
More information about Vivian Zabel.
Blessings….
~ ~vehoae

P.S. With information from the U.S. Department of Justice, and the National Center for Missing & Exploited Children, author Vivian Zabel expands Stolen with stunning statistics on child abductions. In the U.S., an estimated 200,000 children are stolen annually. Why estimated? Zabel explains that many abductions go unreported for various reasons, ” … including the fear of harm for child or remaining parent, feeling that reporting wouldn’t help, or the choice to handle the situation without involving law enforcement.”



Here's a brief bio about the author:

Vivian Zabel always has had a vivid imagination and, when a child, used it to tell her siblings and friends stories. As soon as she could write, she began to put those stories on paper. She wrote her first poetry when she was eight, and still writes it. Poetry was and is her therapy. When a “friend” laughed at her announcement that she would write a book someday, Vivian didn’t share her goal any more, but she didn’t stop planning on writing that book.

As she reared her children and was a stay-at-home-mother, with spells of working in the business world, Vivian wrote short stories, poetry, and articles, which were published. Vivian taught English and writing for 27 years and retired in 2001. Every year she taught, she attended writing classes, workshops, and clinics, not only to learn how better to teach her students, but also to hone her own writing skills. Finally in 2001 she was able to write full time and write longer works, after she retired from teaching.

At present, Vivian has six books to her credit, two co-authored. Her latest books are Prairie Dog Cowboy (written under the name V. Gilbert Zabel) and Midnight Hours (written under the name Vivian Gilbert Zabel).

Her interests besides writing include her family (husband, children, grandchildren, and great-grandchildren), reading, helping other people publish their books (through 4RV Publishing), and traveling.

Links:




As an editor for over thirty-five years, an English and writing teacher for nearly thirty years, an author with poetry, articles, short stories, and novels published, and the head of a small publishing company for over three years, Vivian Zabel experienced both sides of the submission experience.
Her publishing company 4RV Publishing produced the Oklahoma Book Award winner in fiction for 2010: Confessions of a Former Rock Queen by Kirk Bjornsgaard. Other books have received regional awards in their categories. 4RV has released children’s books, middle grade and young adult books, novels, and nonfiction books.
Vivian has also received emails from rejected writers thanking her for sharing evaluation comments that help and swearing at her for being so blind she can’t tell wonderful writing when she reads it. She’s very qualified to discuss submission etiquette.

Next blog stop here.